My work moves between painting, sculpture, and installation to translate sound, water, and time into material form. Rooted in more than twenty-five years of contemplative practice, I have developed processes that translate fleeting sonic and energetic experience into immersive fields of color, light, texture, and form. Working with pigment, transparent textiles, aluminum, copper, light, and sound-activated water, I build layered surfaces and environments that hold vibration as color, texture, sediment, breath and atmosphere.

My current paintings treat the canvas as a vessel for sound, water, pigment, and duration. I begin by directing audio into water—often water charged through recorded and recited mantras from the Vedas and Upanishads—before it enters the work. Through repeated pours, immersions, staining, settling, evaporation, and crystallization, pigment accumulates as a visual record of vibration, gravity, chance and change. The resulting surfaces retain traces of their making: pooled color, sediment, mineral-like deposits and evaporative residue.

The sculptural works extend this inquiry into space, emerging as stone-like fragments or relics of material transformation. Across media, I consider how matter might carry vibration and memory, and how ritual, repetition, and the invisible forces of sound and time can become visible through form.